The Bauhaus didn't just theorise modern design — it built the furniture. Breuer's tubular-steel chairs, Brandt's lamps, the Wassily — all came out of its workshops between 1919 and 1933.
Its rules are GRUNDFORM's rules: form follows function, ornament removed, every shape earning its place. A brand selling reduction should speak in a reduced language — true primaries, hard geometry, and an unforgiving grid.
Nothing decorative. Every element does a job — or it's removed.
Circle = movement, square = grounding, triangle = direction. Shapes carry meaning.
Red, blue, yellow and ink. No pastels, no gradients, no more than three hues.
Zero radius, no shadow, 3px ink rules. The grid is the ornament.
We rebuilt the brand, storefront and mobile app on a single Bauhaus design system: true red-blue-yellow, hard geometry and 3px ink rules, with zero rounded corners by design.
One component kit now drives every surface — from the marketing site to checkout to the operations dashboard — so a three-person team ships consistently and fast.
Everything below is one system. Colour, type, icons and components — the primitives every screen is assembled from. Build once, ship everywhere.
A geometric grotesque — the closest free relative of Futura, the Bauhaus's own typeface. Circular bowls, even strokes, set bold, uppercase and tracked so type behaves like another primitive.